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On John: Opening Ceremony visor. Opening Ceremony x Aloha Blossom shirt. Model's own necklace. Gauntlet Cheng pants. On Garrett: Yohji Yamamoto coat.

CFGNY shirt. Yuasa Swim briefs. Kenzo boots. On Jin left: Kenzo hat and trousers. On Dylan right: Opening Ceremony tank. Kenzo trousers.

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On David: Custom Opening Ceremony hat. On Alika: Gauntlet Cheng dress. I think it was this moment that pierced me, but there were many, really. He was that sort of dangerous beauty with a knack for knowing just what I dreamed about.

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In retrospect I should have guessed: He reminded me of a friend from college who had studied Chinese and Korean, practiced Chinese calligraphy, trained in tae kwon do, and dated Korean women almost exclusively. A friend who'd once said to me, I'm half-Korean, too. Just, inside. On one of our first dates, he came over to my apartment and told me about the books I'd just been given by my grandfather, the jokbo for our family.

I'm the oldest male in my generation, the 42nd, and by Korean tradition, we are given them. The books are kept in an antiquated Chinese script, and I am unable to read them, but he could read them.

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It was the sort of thing that shamed me regularly for the sort of upbringing I'd had—my father had committed us to assimilation and had not wanted us to speak Korean. He had died when I was young, though, and the language gap left us estranged from his family afterward. In , we were putting these connections back together—I had just gone to Korea with my family that summer, and my grandfather had given me these books. But there was still so much no one had ever taught me. I practiced it as he watched and corrected me.

Roses re-emerging all through the garden. I think it's cursed there, that rose. There's no record anywhere of what I can now see the dream was about: I knew what rice queens were, and they didn't usually go for me. When I worked at A Different Light bookstore in the Castro in s-era San Francisco, I remember selling them copies of OG magazine—short for "Oriental Guy"—these men fantasizing about the sex trips they took to Asian countries like the Philippines, Vietnam, Thailand, all of them in search of smooth young Asian men living in precarious economic conditions who were willing to do things sexually for, well, probably less than the cost of the magazine, in order to survive.

I had also been to the gay bars in San Francisco for Asian men, to discover they were for Asian men looking for white men and vice versa. As someone who was half, I was just exactly not enough of what each type wanted—exactly enough to be invisible to them or at least not eligible as desirable. They still walk by me sometimes, these mixed Asian and white gay couples, and I smile as both men seem to project their insecurities on to me, holding hands a little tighter as they walk by.

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Happy Together , which won him the best director award at Cannes, is one of his best, with a terrific central performance from Leung as a young, insecure man yearning for romance. As so often with Wong Kar-wai, the last shot, accompanied by a brassy cover of the title song, is unforgettable. Gohatto In 19th-century Japan, a young and beautiful swordsman Ryuhei Matsuda joins a group of samurai. Although homosexuality is forbidden, he immediately arouses the attention of his fellow warriors, including the stern vice-commander Takeshi Kitano.

Sexual jealousy inevitably rears its head, and violence ensues. Unorthodox erotic obsession permeates the best-known works of Nagisa Oshima , notably the ultra-controversial Ai no corrida , with its graphic scenes of unsimulated sex, and the homoerotic atmosphere of the prison camp in Merry Christmas, Mr. Lawrence The last scene, set by a lake, is incredibly beautiful. Tokyo Godfathers Either way, Hana is a fantastic character, who dreams of bringing up a baby and shows the most kindness of the threesome. The bond between the three is seemingly unbreakable, and together they form the tightest of units, reinventing the concept of family.

A queer fairytale. Director Apichatpong Weerasethakul.

Tropical Malady Homosexual themes suffuse much of his work Weerasethakul is gay himself , manifesting as out and out camp in the outrageous The Adventure of Iron Pussy But best of all is Tropical Malady , one of the most mesmerising and surreal gay love stories ever told. A soldier and a country boy fall for each other and pay regular visits to the Thai jungle. So far, so unremarkable. Then one of the men is spirited away and the narrative whirls into a different world.

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The soldier appears to be on the trail of an apparently shape-shifting entity which may or may not be his departed lover. The Blossoming of Maximo Oliveros Young Maximo, whose family make their living through petty thievery, lives in a poor area of Manila. Nathan Lopez gives a wonderfully guileless performance as Maximo, who grows from the dizzy kid dressing up as Miss World at the start of the film to the mature adolescent who walks off to a brave new future at the end, in a knowing nod to The Third Man In his first feature made in Malaysia his previous work was filmed in Taiwan , Ming-liang regular Lee Kang-sheng stars in two roles — as a comatose man cared for by a woman, and as a migrant worker in Kuala Lumpur who is beaten up and cared for by a gay Bangladeshi man.

The latter falls for his patient, despite their different languages. Soundless Wind Chime In this globe-trotting semi-autobiographical debut feature from Kit Hung, Ricky, a delivery boy working in Hong Kong, falls in love with petty thief Pascal Bernhard Bulling , who pinches his wallet. The two start a passionate relationship, but tragedy strikes.

They, too, begin a relationship. The non-linear narrative can be tricky to follow, and the film demands more than one viewing to tease out its mysteries. Speechless , another strange romance filmed in China, shares similar themes and is available on BFI Player. Great love scenes in LGBT cinema. Watch the video now. Back to the top. Teaching film, TV and media studies.