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We have seen people like us reduced to stereotypes—sometimes based in truth, sometimes played by queer performers eager to find work and express their own identities in front of a camera, for better or for worse. Film has also depicted queer people as villains, victims, heroes, and outcasts.
More often than not, films about the LGBT community are made not for those of us within it, but rather viewers who consider themselves a part of the straight world. Film teaches us about empathy, about understanding difference. Many films featuring queer characters have succeeded at that mission, while many others have failed.
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As with any other marginalized group, it's tricky to make a movie about the queer community—even if the filmmakers responsible are members of the tribe. There's a damned-if-you-do, damned-if-you-don't nature to the audience's response. Are these characters trying to assimilate into the straight world?
Are they too queer? Do they represent the vastly intricate inner lives that make up the LGBT community? Most likely they don't—just as any other straight character in film cannot possibly stand as an Everyman or Everywoman, representing the entire human experience.
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These are films that took major risks and attempted to depict the queer experience in a variety of ways. This is a collection of movies that, at the very least, express to its viewers that—no matter what end of sexual or gender spectrum in which they feel most comfortable—they are not alone. Amazon iTunes. When Cyd goes to Chicago to stay with her aunt for the summer, she doesn't expect to fall for a girl who lives in the neighborhood. Her aunt, too, is surprised by Cyd's gentle nudging to live a more authentic—and romantic—life.
It's problematic for sure, but it's become a cult classic for its unapologetic depiction of gay sexuality before the AIDS epidemic. The life of Cuba's "transformistas" is captured beautifully in this father-son story about a boy who wants to perform drag and his father, newly released from prison and unable to accept who his son is. Shot beautifully, with great music and a close look at Havana in all its run-down and colorful glory.
Film Review: ‘I Can Only Imagine’
Amazon iTunes Filmstruck. The quintessential '80s lesbian romantic drama, Desert Hearts follows an English professor and a young sculptor as they fall in love at a Nevada ranch in the s. Unique for its time, it sets its romance in a warm, affirming environment and lets its leads enjoy their relationship without angst or fear of death. Everyone deserves a silly teen comedy—even gay teens!
Darren Stein's charming comedy follows a high school boy who becomes the most popular kid in school once he's outed, with the queen bees all scrambling to claim him as their Gay Best Friend. An honest, unglamorous depiction of queer courtship. Russell and Glen hook up for a one-night stand that stretches through the weekend. Weekend captures the uneasy thrill of learning to trust someone new in a cold world, and the challenge of living an authentic life. Ira Sachs's autobiographical drama packs a hard punch as it follows a filmmaker, Erick, throughout his relationship with a young lawyer, Paul, which begins as a random sexual encounter and implodes following Paul's drug and sex addiction.
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Dunye directs and stars in this microbudget indie about an African-American lesbian searching for an uncredited black actress from a s film. Along the way, she falls in and out of love, and meets the real Camille Paglia. Julianne Moore and Annette Bening play lesbian mothers to two teenagers whose blissful modern family is rocked when their kids seek out their sperm-doner father played by Mark Ruffalo.
The family unit falls into crisis when his sudden appearance into their lives causes a rift between the two women as well as their kids. Audrey Hepburn and Shirley MacLaine play headmistresses at a school for girls who are accused by a student of being in a lesbian relationship. While the accusation is false, it nearly ruins the women's standing in their community and threatens their friendship—and forces one of them to reevaluate her own identity. Starring Mariel Hemingway and a raft of real-life track and field stars, Personal Best follows a young bisexual pentathlete vying for a spot on the U.
Olympic Team and exploring a relationship with her lesbian coach—played by Olympic hurdler Patrice Donnelly. Eliza Hittman's dark and moody film plays out a bit like a thriller, one in which a Brooklyn teenager named Frankie a superb Harris Dickinson, in a nearly wordless performance , who spends his idle hours hanging with his delinquent friends, fooling around with his girlfriend, or hooking up with men he meets online.
Beach Rats is a provocative look at the personal and secret urges we often fear will come out into the light. Gus Van Sant's loose Shakespearean adaptation brought the New Queer Cinema movement into the mainstream, with River Phoenix as a young, narcoleptic hustler and Keanu Reeves as his best friend and unrequited love interest. Even if this weren't a beautiful, affecting film, Hugh Grant's hair alone would earn it a spot on this list. Peter Jackson was journeying through fantasy worlds long before Lord of the Rings —albeit one conjured up by two very real New Zealand school girls played by then-newcomers Kate Winslet and Melanie Lynskey who escape their own realities through their imaginations.
But their connection turns intense and dangerous when they conspire to commit murder in one of the most notorious true crime stories of all time. An antidote to the "soft-focus" lesbian movies of yore, Go Fish is urban, black-and-white, and shot on a shoestring budget. Starring co-writer Guinevere Turner and directed by Rose Troche, Go Fish was the lesbian film of the '90s indie-movie boom. The first wide-release studio film with a homosexual relationship at its center and for decades, the last.
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It's not a perfect film, but it took a giant risk, and gives us a rare snapshot of Los Angeles' gay life in the moment just before AIDS. Long before his groundbreaking Brokeback Mountain , Ang Lee directed this sweet, comic tale about a Taiwanese immigrant living in New York with his partner.
When he offers to marry a Chinese woman so she can obtain a green card, the marriage of convenience spirals out of control when his parents find out and throw a lavish wedding party. Mike Mills's sweet film concerns a Los Angeles artist, played by Ewan MacGregor, building a relationship with his newly-out father Christopher Plummer in the last year of the older man's life.
In short, it's pretty much perfect. The debut film from the Wachowski siblings, it shows what the future Matrix directors had in them when it came to boundary-pushing, mind-blowing moviemaking. Gregg Araki at the top of his form. Joseph Gordon-Levitt and Brady Corbet play boys who deal with having been abused by their Little League coach in markedly different ways.
Mysterious Skin is at once difficult to watch and strangely heartwarming. When Megan Natasha Lyonne shows more interest in being a vegetarian and female-fronted folk rock, her parents send her away to have her presumed homosexuality cured. Conversion therapy is no joke, but Jamie Babbit's satire perfectly skewers puritanical homophobia on its head—and it has a joyful, happy ending.
Plus, RuPaul! Dee Rees's gorgeous directorial debut stars Adepero Oduye as Alike, a Brooklyn teenager who comes to terms with her own sexuality and puts the comforts of friends and family at risk as she discovers how to express her identity. On a scorching August day, Al Pacino's Sonny attempts to rob a bank in Brooklyn, and…things do not go well.
The instant, intense media fame Sonny earns feels more relevant than ever, and things turn surprisingly tender when we learn he plans to use the stolen money for his lover's gender confirmation surgery. A Pakistani Brit and his former lover, who has become a fascist street punk, reunite and run a family laundromat. The characters deal with the materialism and anti-immigrant furor of Thatcher's England—elements that feel just a little bit too relevant at the moment.
Based on the autobiography of gay Cuban poet Reinaldo Arenas, Julian Schnabel's film brought Javier Bardem to the world's attention and highlighted the cruelty and homophobia of Castro's Cuba and Reagan's America. John Cameron Mitchell brings his cult musical about "internationally ignored" transgender rock star Hedwig to the screen. In this version, Mitchell shows us the backstory he was only able to tell on stage, and introduces us to Michael Pitt's Tommy Gnosis.
The rare rock musical that actually rocks. Tom Ford's directorial debut adapts Christopher Isherwood's novel about an English professor in returning to life a year after the death of his lover. As you would expect from Ford, it is a relentlessly stylish affair, with indelible performances by Colin Firth and Julianne Moore. Some might find this adaptation of Paul Rudnick's off-Broadway play to be a little dated with its treatment of the dating scene in early to mid-'90s New York City. But Jeffrey 's strength is found in its comic and playful look at a search for love amid the AIDS crisis, offering the kind of unabashed joy most of its contemporaries were unable to match.
Lisa Cholodenko's chic directorial debut features a revelatory performance from Ally Sheedy as a prematurely retired photographer, and Radha Mitchell as the young woman who can revitalize her career. After the death of her son, Manuela seeks out to find his father—who now goes by the name of Lola. Along for the journey is a young nun played by Penelope Cruz who is newly pregnant with Lola's baby.
Stephen Beresford's Golden Globe-nominated screenplay underscores the need, as urgent as ever, for oppressed groups to join forces. There is power in a union! Norman Rene's film follows a group of gay men through the early years of the AIDS crisis, one day per year, starting on the day the New York Times first covered the story of the "gay cancer.
What do a recently divorced woman and a middle-aged gay man have in common? They're both having an affair with a charming and stylish artist—and they're aware that the lover they share in common isn't exclusive to them. John Schlesinger's acclaimed drama depicts two people who seek surprising ways to break free of their dull lives and reclaim their untamed youth. When her older lover, Orlando, dies suddenly, Marina must put her grief on pause as Orlando's ex-wife and family immediately shun her because she is transgender.