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Then, according to the police report, Lemmon said, "He is going to shoot himself," whereupon, through the thin ceiling, they heard a bedside drawer open. Bliss ran upstairs and found Reeves dead on the bed.
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At least, this is how the four very drunk witnesses said it went down in perfunctory police interviews conducted before they scattered into the night. Reeves had supposedly bought the cheques for a "honeymoon" that only Lemmon seemed to know about. The coroner's autopsy took place only after the corpse had been thoroughly washed. It failed to test for powder traces on Reeves' hand and, even though the top of Reeves' skull was removed, no one checked the head wound for gunpowder traces, which would have been present if he'd shot himself at close range.
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Nothing explained the bruises on the corpse's face and chest. Reeves showed no signs of a suicidal demeanour, left no note and died naked - extremely unusual for a suicide. None of his friends could believe that Reeves, a glad-handing, straight-shooting, life-loving guy, had a plausible reason to do away with himself.
Only his Superman co-star Jack Larson, who played cub reporter Jimmy Olsen, accepted the verdict, "because he made such a mess of things" - that is, forsaking his beloved patroness at a time when his career was apparently in ruins. Years later, another cast member, Phyllis Coates, who played Lois Lane, told Sam Kashner and Nancy Schoenberger, authors of Hollywood Kryptonite, an often speculative examination of the case, that she had received a very disturbing phone call at 4. It came from Toni Mannix, beside herself with anxiety.
He's been murdered. She was his refuge, his financial salvation, his soulmate, his keeper and the boon companion of his happiest years. Reeves grew up mainly in Pasadena with his overbearing and possessive mother Helen, who gave George the name of her second husband, one Mr Bessolo. Jack Warner gave him the marquee-friendly name he was buried with. By , George fetched up at the Pasadena Playhouse, incubator of many a movie star. Handsome in that strapping, jutjawed manner that slayed the ladies of the Depression, he was signed to Warners, and then to Paramount, which leased him out to play one of the Tarleton twins in Gone With The Wind.
It was a fabulous opportunity but it came to nothing, perhap s because of the ineff ectual role, or the orange dye-job he was forced to sport "It was tangerine The war interrupted Reeves' ascent, though he caught some attention in 's flagwaver So Proudly We Hail. Its director, Mark Sandrich, said he had great plans for George once the war was over, but died before anything could come of his promise. By , Reeves was reduced to walk-on parts in studio dross. There was a recession ; the studios were retrenching, ditching even their big-name stars to save money. Groomed for stardom in the prosperous early 40s, Reeves had every reason to believe he was now in the wrong line of business.
And then Toni Mannix took him under her finely plumed wing, and everything changed. Born in , Toni was eight years George's senior, a spirited, vivacious ex-Ziegfeld Girl.
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She had been Eddie Mannix's mistress for years and had only recently married him when she met George, then at his lowest ebb. Not that Eddie Mannix was overly worried about George and Toni. The MGM casting couches gave him access to any woman he wanted, his fearsome reputation more than compensating for his Frog Prince cast of feature and gruff demeanour.
He and his own mistresses often went on double dates with George and Toni, and when they travelled it was Mannixes in first class, sexual playthings in coach. There was a whiff of Joe Gillis and Norma Desmond about George and Toni's relationship, except that he wasn't a cynic and she wasn't demented. Hollywoodland deftly notes the Sunset Boulevard connection in a scene of the dead Reeves on the mortuary table Sunset Boulevard's scrapped original opening had William Holden introducing himself postmortem from the slab intercut with a glimpse of Billy Wilder, Boulevard's director, in a nightclub.
And he was a very kept boy - house, car, clothes, furniture, vacations: Toni Mannix owned George Reeves, lock, stock and barrel-chest. But it was a loving relationship conducted in the full expectation of marriage once the ailing Eddie finally succumbed to one of his frequent heart attacks. Their house on Benedict Canyon Drive was always full of their friends, the drink flowed freely from breakfast-time onwards, and even Eddie was known to show up and grunt his way through the occasional barbecue.
In , Reeves reluctantly agreed to don the Superman costume for a feature-length TV pilot called Superman And The Mole Men, and afterwards the team shot 13 half-hour Superman episodes, even though no network was yet interested. By the time Eternity was released, however, Superman had aired and Reeves was suddenly a bona-fide superhero among apple-cheeked boy scouts and suburban tykes in cowboy outfits. When they were first aired in , the Adventures Of Superman made as great an impact as Elvis and Little Richard would a couple of years later. Reeves found himself the object of a kind of proto-Beatlemania, facing riotous crowds 20,strong at department store openings and celebrity galas, fending off kids who jabbed him with pins, punched him in the stomach and, on one queasy occasion, even aimed a loaded.
Superman did Reeves' career all the wrong favours. Worst of all, Reeves had been typecast in the worst way: Little wonder Reeves burned his Superman outfit at the end of every season. In early , after a decade together, Reeves left Toni Mannix for Leonore Lemmon, a nightclub hellion who had been a staple of the gossip columns since eloping with a penniless sprig of the Vanderbilt dynasty in For the now visibly ageing Toni, it was a mighty blow.
George was her shining prize, she had built him from the ground up, and without him she felt doomed to a life of waiting for Eddie Mannix to die, something that seemed to be taking a very long time. She sequestered herself at home, cried for weeks, and phoned George up to 20 times a day.
The film offers a glimpse of Toni's famous temper and backstage mouth: This is the basis for one of the alter native theories to explain Reeves's death. Eddie Mannix may have been ailing, but he had minions at hand to do his bidding, even from his sickbed. He had ties with an LA mobster and the chief of police. And for all his philandering, Eddie was devoted to his wife.
Mess with her, and you had to deal with him, too.
Mannix was thought by many to have had his uncooperative first wife killed in , when her car was run off the road near a nightspot owned by one of Mannix's unsavoury pals. If strong-arm men were needed to seek vengeance for the aggrieved Toni, Eddie Mannix had them on retainer.
But did he ever use them? Did Toni have access to them? Kashner and Schoenberger theorise that William Bliss - perhaps, and for unknown reasons - distracted the revellers on the night of Reeves' death, permitting a second man to get upstairs and kill Reeves. The relative inaccessibility of the bedroom seems to make this unlikely, unless the witnesses downstairs were scared into silence by the time the police arrived. This might also explain Toni's otherwise inexplicable small-hours call to Phyllis Coates. In , Beverly Hills publicist Edward Lozzi claimed on the tabloid-TV show Extra that before her death a bedridden Toni had confessed to her priest, while Lozzi was present, that she had had George killed.
Lozzi said that none of the thugs who worked for Eddie Mannix were alive any more and he now felt safe to talk.
Our latest Narratively story isn't available online - we printed the entire thing on a tote bag!
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